One of the film’s most unusual features is its chapter-based storytelling. Cregger deliberately moves from one character’s perspective to another and generally does not return to a completed perspective, giving the movie a novel-like structure. He has explained that Magnolia, Nashville, Short Cuts, and Pulp Fiction influenced his thinking about unconventional ensemble storytelling.
Another fascinating detail is that Cregger’s inspiration was partly autobiographical. He described the final chapter as strongly connected to his own childhood experiences with an alcoholic parent and the way children can become caregivers in dysfunctional families.
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Director Zach Cregger described the central idea as resembling an old-school fairy tale in which children wander into the woods and fall into the hands of a witch. This is one reason the movie’s mysterious Gladys feels less like a conventional horror villain and more like a modern interpretation of the traditional folklore witch.
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