One of the most remarkable aspects of Tenet is that Christopher Nolan wanted the film’s unusual action sequences to feel as physically real as possible. Instead of relying entirely on digital effects, the production combined practical effects, stunt work and large-scale physical set pieces with visual effects. The film was shot across seven countries and used both IMAX and 70mm film, contributing to its unusually large-scale visual presentation.
The movie’s central idea is not traditional time travel. Nolan deliberately uses the term inversion to describe a process in which an object’s entropy is reversed, making it appear to move backward through time relative to the normal world. This is why bullets can appear to fly back into guns, objects can seemingly un-crash, and characters can fight opponents moving in opposite temporal directions.
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The title TENET has a fascinating literary and historical connection. It forms part of the famous Sator Square, an ancient Latin word square containing the words SATOR, AREPO, TENET, OPERA and ROTAS.
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